Category: Testimonials

Four-Year Anniversary of “Rejected”!

Four years ago today, we published our very first script, Rejected: The Inside Story. To this day, it’s still our best-selling play (although our skit Just Ask Pastor!, released last September, has been giving it a run for its money lately).

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“The Old Schoolhouse” Review of Kittywham Productions

A big thank you to The Old Schoolhouse Magazine, and particularly to reviewer Susan Reed! Susan is a homeschooling mom and co-op leader who used our scripts Narrow Escape and Really Remarkable Romance with her daughters and students, and she reviewed us for The Old Schoolhouse’s database of resources for homeschoolers. She writes, “My family used […]

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A Chat with a Stage Manager

Andrew, age 23, acted as the stage manager for a production of Rejected: The Inside Story, and he’s been so kind as to share some thoughts about his experience. I hope you enjoy this “backstage” perspective  that  Andrew  offers! What were your main responsibilities as stage manager, and how did you go about them? My […]

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Ask the Actor: Ana Owens

Fifteen-year-old Ana Owens performed in a production of my play Narrow Escape last summer. She played the role of Kendall, a rather ditzy, oblivious prisoner who refuses to follow the Guide to freedom unless she can take with her the chain that binds her. Ana enjoyed her experience with the drama, and she was kind […]

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Ask the Actor: Cristian Washburn

Nineteen-year-old Cristian Washburn performed in a production of my play Narrow Escape last summer. He played the role of Chris, one of the few prisoners in the story who trusts and follows the Guide to freedom. (Check out the picture at the end of this post to see Cristian in costume and in character.) Cristian […]

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Testimonial: Joana Stratton

I’m so honored to have received this lovely testimonial recently from Joana Stratton, a friend, mentor, and role model. She’s the Education Department Chair at Hobe Sound Bible College, and she and her husband Jon direct the college’s theater productions as well. “When I see one of Rachelle Ferguson’s plays, I am often surprised by […]

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